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Storytelling allows elders to transfer values and meaning to younger generations

<p><em><a href="https://theconversation.com/profiles/mary-ann-mccoll-704728">Mary Ann McColl</a>, <a href="https://theconversation.com/institutions/queens-university-ontario-1154">Queen's University, Ontario</a></em></p> <p>If you spent time over the holidays with elderly relatives or friends, you may have heard many of the same stories repeated — perhaps stories you’d heard over the years, or even over the past few hours.</p> <p>Repeated storytelling can sometimes be unnerving for friends and families, raising concerns about a loved one’s potential cognitive decline, memory loss or perhaps even the onset of dementia.</p> <p><a href="https://tenstories.ca/">Our research</a> at Queen’s University suggests there is another way to think about repeated storytelling that makes it easier to listen and engage with the stories. We interviewed 20 middle-aged adults who felt they had heard the same stories over and over from their aging parent. We asked them to tell us those stories and we recorded and transcribed them.</p> <p>We used a <a href="https://doi.org/10.1108/14439881211248356">narrative inquiry approach</a> to discover that repeated storytelling is a key method for elders to communicate what they believe to be important to their children and loved ones. Narrative inquiry uses the text of stories as research data to explore how people create meaning in their lives.</p> <h2>Transmitting values</h2> <p>Based on nearly 200 collected stories, we found that there are approximately <a href="https://doi.org/10.1111/scs.13121">10 stories</a> that older parents repeatedly tell to their adult children.</p> <p>The hypothesis was that repeated storytelling was about inter-generational transmission of values. By exploring the themes of those repeated stories, we could uncover the meaning and messages elders were communicating to their loved ones.</p> <p>The ultimate purpose was to offer a new and more constructive way of thinking about stories that we’ve heard many times before, and that can be otherwise perceived as alarming.</p> <h2>Here’s what we have learned:</h2> <ol> <li> <p>There are typically just 10 stories that people tell repeatedly. While 10 is not a magic number, it does seem to be about the right number to capture the stories that are told over and over. Interviewees felt that a set of approximately 10 allowed them to do justice to their parent’s stories.</p> </li> <li> <p>Among our interviewees, a significant number of their parents’ stories – 87 per cent — took place when they were in their teens or twenties. A person’s second and third decades are a time when they make many of the decisions that shape the rest of their lives; a time when values are consolidated and the <a href="https://doi.org/10.1080/09658211.2013.863358">adult identity is formed</a></p> </li> <li> <p>What’s important about the 10 stories is not the factual details, but the lesson that was learned, or the value that was reinforced — values like loyalty toward friends, putting family first, maintaining a sense of humour even in hard times, getting an education, speaking up against injustice, and doing what’s right.</p> </li> <li> <p>Key themes in the stories reflected the significant events and prevailing values of the early to mid-20th century. Many of the stories revolved around the war, and both domestic and overseas experiences that were formative. Many of our interviewees heard stories about immigrating to Canada, starting out with very little, seeking a better life and working hard. Stories often reflected a more formal time when it was important to uphold standards, make a good impression, know one’s place and adhere to the rules.</p> </li> <li> <p>The stories elders tell appear to be curated for the individual receiving them. They would be different if told to another child, a spouse or a friend.</p> </li> </ol> <h2>Tips for listening</h2> <p>Our research offers some tips for listening to stories from elders:</p> <ul> <li> <p>Focus on just 10 stories. It can make the listening seem less overwhelming.</p> </li> <li> <p>Write them down. Writing challenges us to get the story straight.</p> </li> <li> <p>Notice your loved one’s role in the story, as the message is often contained in that role.</p> </li> <li> <p>Be attentive to feelings, sensations, tension and discomfort. These can be signals or clues to the meaning of a story.</p> </li> <li> <p>Finally, remember these stories are for you — selected and told in the context of your relationship with your loved one. As such, they are a gift from a loved one who is running out of time.</p> </li> </ul> <h2>The importance of receiving stories</h2> <p>Storytelling is an <a href="https://doi.org/10.1002/cad.20067">essential human process</a> and a universal experience associated with aging. Neuroscientists suggest that storytelling has practical survival value for individuals and communities, <a href="https://www.jonathangottschall.com/storytelling-animal">as well as social and psychological benefits</a>.</p> <p>It may be as powerful as medication or therapy for <a href="https://doi.org/10.1002/gps.1018">overcoming depression among elders</a>. Storytelling becomes especially important <a href="https://doi.org/10.1080/13607863.2017.1396581">when people become aware of their mortality</a> — when they are ill, suffering or facing death.</p> <p>People don’t necessarily tell the same stories over and over again because they’re losing cognitive function, but because the stories are important, and they feel we need to know them. Telling stories repeatedly isn’t about forgetfulness or dementia. It’s an effort to share what’s important.</p> <p>Our hope is that by better understanding elderly storytelling, caregivers may be able to listen in a different way to those repeated stories and understand the messages they contain. Those 10 stories can help us to know our loved one at a deeper level and assist our parent or grandparent with an important developmental task of old age.</p> <p>This research offers a constructive way for caregivers to hear the repeated stories told by their aging parents, and to offer their loved one the gift of knowing they have been seen and heard.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/197766/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /></p> <p><a href="https://theconversation.com/profiles/mary-ann-mccoll-704728"><em>Mary Ann McColl</em></a><em>, Professor, School of Rehabilitation Therapy, <a href="https://theconversation.com/institutions/queens-university-ontario-1154">Queen's University, Ontario</a></em></p> <p><em>Image credits: Getty Images </em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/storytelling-allows-elders-to-transfer-values-and-meaning-to-younger-generations-197766">original article</a>.</em></p>

Mind

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X-Men star dies aged 42

<p>Adan Canto has died aged 42. </p> <p>The Hollywood star died on Monday following a private battle with appendiceal cancer, reported <em><a href="https://variety.com/2024/tv/obituaries-people-news/adan-canto-dead-cleaning-lady-x-men-1235866602/" target="_blank" rel="noopener">Variety</a></em>. </p> <p>Canto was best known for his role as Arman Morales in Fox's series <em>The Cleaning Lady</em>, and Sunspot in <em>X-Men: Days of Future Past.  </em>He also starred in a few other TV series including<em> The Following</em> and <em>Designated Survivor</em>.</p> <p>The actor was enjoying his success as Arman Morales, when he was diagnosed with cancer, and was forced to step back from the role as his health declined. </p> <p>Canto's agents have confirmed his passing. </p> <p>“Adan had a depth of spirit that few truly knew. Those who glimpsed it were changed forever,”  they said. </p> <p>"He will be greatly missed by so many.”</p> <p>Warner Bros. Television and Fox Entertainment have also paid tribute to the actor in a joint statement. </p> <p>“We are heartbroken to learn of the passing of Adan Canto. A wonderful actor and dear friend, we were honoured to have him as part of the Warner Bros. Television and Fox Entertainment families since his US debut in The Following more than a decade ago,” the statement read. </p> <p>“Most recently, he lit up the screen in The Cleaning Lady with a powerful performance that showcased his artistry, range, depth and vulnerability. This is an unfathomable loss, and we grieve alongside his wife Stephanie, their children and loved ones. We will miss Adan dearly.”</p> <p>Canto is survived by his wife, sculptor Stephanie Lindquist and their two young children Roman Alder, 3, and Eve Josephine, 1. </p> <p><em>Images: Getty</em></p> <p> </p>

Caring

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An X-Files expert on the show’s enduring appeal – 30 years on

<p><em><a href="https://theconversation.com/profiles/bethan-jones-1345648">Bethan Jones</a>, <a href="https://theconversation.com/institutions/university-of-york-1344">University of York</a></em></p> <p>On September 10 1993 the pilot episode of The X-Files aired. Thirty years later to the day, I was at a <a href="https://www.twincities.com/2023/04/17/moa-30th-anniversary-x-files-convention/">convention centre in Minneapolis</a> with 500 other fans and the show’s creator, Chris Carter, celebrating its legacy.</p> <p>Ostensibly a show about aliens, The X-Files swiftly became part of the cultural lexicon and remains there to this day. In part its success was down to the chemistry of its two leads – David Duchovny, who played FBI Special Agent Fox Mulder and Gillian Anderson, who played FBI Special Agent Dana Scully. After all, it was the X-Files fandom that invented the term <a href="https://www.vox.com/2016/6/7/11858680/fandom-glossary-fanfiction-explained">“shipping”</a> (rooting for characters to get together romantically).</p> <p>But, as I argue in my new book, <a href="https://www.tuckerdspress.com/product-page/the-x-files-the-truth-is-still-out-there">The Truth Is Still Out There: Thirty Years of The X-Files</a>, what really made the series successful was its ability to tap into contemporary cultural moments and ask us to really think about the times we’re living in.</p> <p>When the series began in 1993, the US was still grappling with the effects of <a href="https://www.britannica.com/event/Watergate-Scandal">Watergate</a> and the <a href="https://www.britannica.com/event/Vietnam-War">Vietnam war</a>, but concerns were also rising about the approaching millennium and the economic and cultural divisions within US society. It also coincided with Bill Clinton becoming president – marking the end of more than a decade of Republican leadership.</p> <p>It’s little surprise that fears about immigration, globalisation, national identity and technology emerged and were adopted – and sometimes foreshadowed – by The X-Files’ writers. Several episodes throughout the first nine seasons dealt with artificial technology, for example, and <a href="https://x-files.fandom.com/wiki/Eve">Eve</a>, an episode in season one about clones, came four years before the birth of <a href="https://dolly.roslin.ed.ac.uk/facts/the-life-of-dolly/index.html">Dolly the Sheep</a>.</p> <p>Critical theorist Douglas Kellner <a href="https://www.jstor.org/stable/432310?casa_token=44PnlIC58_oAAAAA%3AyDF-53m8WsQCfec-VrVjlF8nav_Q2y24s9ldHo7bFPUvAwUrbcieUZoEk7DZe6R3Mma-WcaUNskkC4CR4baLoAHz7EdFEqcAONLgeI4SiU85I-LPIjNk">argued in 1994</a> that The X-Files “generated distrust toward established authority, representing institutions of government and the established order as highly flawed, even complicit in the worst crimes and evil imaginable”. Though I’d argue it was less that the show generated this distrust and more that it leveraged the growing number of reports about the government’s secretive activities to inspire its storylines.</p> <p>As the public became more aware of the government’s role in – and surveillance of – public life, so too The X-Files considered the ways in which technology could be used as a means of control.</p> <p>In the season three episode <a href="https://x-files.fandom.com/wiki/Wetwired">Wetwired</a>, for example, a device attached to a telephone pole emits signals that tap into people’s paranoid delusions and lead them to kill. And in the season six episode, <a href="https://x-files.fandom.com/wiki/S.R._819">SR 819</a>, a character’s circulatory system fails because he has been infected with nanotechnology controlled by a remote device belonging to a shadow government.</p> <p>These themes reflected growing concerns about government agencies using technology to both spy on and influence the public.</p> <h2>The X-Files’ enduring appeal</h2> <p>During my X-Files research, carried out with viewers after a revival was announced in 2015, it became clear that the show has remained part of the cultural lexicon. As one fan explained: “The cultural context of conspiracy theories has changed since the beginning of X-Files. Nowadays, every pseudoscience documentary uses similar soundtrack and narrative.”</p> <p>Of course, the X-Files didn’t invent conspiracy theories, but as one of the show’s writers and producers, Jim Wong, <a href="https://www.straitstimes.com/lifestyle/how-x-files-brought-conspiracy-theories-into-mainstream-culture">points out</a>, it did “tap into something that was more or less hidden in the beginning when we were doing it”.</p> <figure><iframe src="https://www.youtube.com/embed/-P-07yN806A?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption><span class="caption">The trailer for The X-Files revival.</span></figcaption></figure> <p>The focus on the rise of the alt-right, disinformation and fake news in seasons 10 and 11 seemed like a logical angle from which to approach the changing cultural context the revival came into. Carter and his co-writers dove straight in to what Guardian critic <a href="https://www.theguardian.com/tv-and-radio/tvandradioblog/2016/feb/09/your-government-lies-why-the-x-files-revival-is-just-right-for-our-climate-of-extreme-scepticism">Mark Lawson calls</a> “a new era of governmental paranoia and public scepticism”, fuelled by the 2008 financial crisis, the fall out of the war on terror and scores of political scandals.</p> <p>Season 10 saw the introduction of a right-wing internet talk show host who argues that 9/11 was a “false flag operation” and that the mainstream liberal media lie to Americans about life, liberty and the right to bear arms. The parallels to conspiracy theorists like Alex Jones and Glenn Beck were obvious.</p> <p>Carter’s incorporation of topics like surveillance, governments’ misuse of power and methods of social control meant that seasons ten and 11 were very much situated in the contemporary moment. This is perhaps most obvious in the season 11 episode, <a href="https://x-files.fandom.com/wiki/The_Lost_Art_of_Forehead_Sweat">The Lost Art of Forehead Sweat</a>, which deals with the disinformation of the Trump era head on. The episode’s protagonist, Dr. They, tells Mulder that “no one can tell the difference anymore between what’s real and what’s fake”.</p> <p>While The X-Files’ search for the truth in the 1990s may have ultimately been a philosophical endeavour, in the 21st century it is a commentary on how emotion and belief can be more influential than objective facts.</p> <p>Watching the show again while researching my book, I was struck by how it was dated predominantly by its lack of technology, rather than the ideas it expresses. In the second season episode <a href="https://x-files.fandom.com/wiki/Ascension">Ascension</a>, Mulder pulls a phone book off a shelf in his search for Scully – now we’d use Google. But in other aspects the show remains as relevant today as it was in the 1990s, encouraging us to think about the big questions relating to faith, authority and truth.</p> <p> </p> <p><a href="https://theconversation.com/profiles/bethan-jones-1345648"><em>Bethan Jones</em></a><em>, Research Associate, <a href="https://theconversation.com/institutions/university-of-york-1344">University of York</a></em></p> <p><em>Image </em><em>credits: Getty Images</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/an-x-files-expert-on-the-shows-enduring-appeal-30-years-on-213610">original article</a>.</em></p>

TV

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X-Men actor welcomes third child

<p>X-Men actor Liev Schreiber has welcomed his third child, first with girlfriend Taylor Neison - a beautiful baby girl! </p> <p>The actor, known for keeping his life private, took to Instagram to share the happy news, with an adorable photo of his little girl's hand, and her foot. </p> <p>He also revealed her name to his almost 550 thousand followers. </p> <p>"So happy that Hazel Bee is finally here," he captioned the photo. </p> <p>"She arrived early in the morning of August 27th and has been a dream every day since. </p> <p>"Mum and baby are both super happy and healthy. Thanks to all for the love and support."</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/CxJ0iVSsEzS/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CxJ0iVSsEzS/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Liev Schreiber (@lievschreiber)</a></p> </div> </blockquote> <p>Schreiber's famous friends took to the comments to congratulate the new parents. </p> <p>"We love baby Hazel!! 🙌" British actress, and Schreiber's ex Naomi Watts commented. </p> <p>Comedian Jim Gaffigan wrote: "Congratulations!"</p> <p><em>The Real Housewives of New York</em> star Kelly Bensimon and <em>The Vampire Diaries</em> actress Kat Graham also took to the comments to congratulate the couple. </p> <p>The announcement comes just days after Schreiber and Neison were <a href="https://pagesix.com/2023/09/13/liev-schreiber-welcomes-third-baby-his-first-with-taylor-neisen/" target="_blank" rel="noopener">spotted </a>pushing a stroller and carrying the newborn in a baby sling while out and about in New York. </p> <p>The couple never formally announced their pregnancy but the news came in April when Nielson was spotted walking around with a baby bump. </p> <p>They reportedly tied the knot in a secret wedding over the 4th of July holiday weekend this year, with only four people in attendance. </p> <p>Hazel is the couple's first child together, but Schreiber is already father to 16-year-old Sasha and 14-year-old Kai, who he shares with Naomi Watts. </p> <p>Watts confirmed that they are on "great terms" as co-parents to their teen kids. </p> <p><em>Images: Instagram/Getty</em></p>

Family & Pets

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Gen X dad’s odd punishment for four-year-old son sparks debate

<p dir="ltr">A self-proclaimed Gen X dad has sparked a furious debate after a video clip of him punishing his four-year-old son went viral on TikTok.</p> <p dir="ltr">Wisconsin-based dad Derek Longstreth said he had no other choice but to make his young son, Truman, heave massive jugs of water across the yard because he hit his mum.</p> <p dir="ltr">“All right little man, let's go, you've got all these jugs to carry,” he told his son, as he showed five water jugs.</p> <p dir="ltr">“He hit his mom today, so, spanking is out of the question because you liberals made it so we can’t spank our children any more,” he explained.</p> <p dir="ltr">The father-of-one recorded his son struggling to carry the water jugs, but offered him words of encouragement as the boy tried to carry it across the yard.</p> <p dir="ltr">“Let's go, young man. I love you just so you know, but you're not going to hit your mom,” he said. “You can do it. I love you son but we don't hit women in this family.”</p> <p dir="ltr">Longstreth then explained why he chose to punish his son this way, and said that spanking your child is not allowed in Wisconsin.</p> <p dir="ltr">“He's four. We're not allowed to spank in the state of Wisconsin because some liberals are saying there are better ways.”</p> <p dir="ltr">“'Well liberals, what's the better way?”</p> <div><iframe title="tiktok embed" src="https://cdn.embedly.com/widgets/media.html?src=https%3A%2F%2Fwww.tiktok.com%2Fembed%2Fv2%2F7256440921728863530&amp;display_name=tiktok&amp;url=https%3A%2F%2Fwww.tiktok.com%2F%40hamburgerjones23%2Fvideo%2F7256440921728863530&amp;image=https%3A%2F%2Fp19-sign.tiktokcdn-us.com%2Fobj%2Ftos-useast5-p-0068-tx%2Fc29492b9251f41139161e469b64b4d0e%3Fx-expires%3D1689789600%26x-signature%3DRnuVqM3A6bo1miOskT3JdYiBlWA%253D&amp;key=5b465a7e134d4f09b4e6901220de11f0&amp;type=text%2Fhtml&amp;schema=tiktok" width="340" height="700" frameborder="0" scrolling="no" allowfullscreen="allowfullscreen"></iframe></div> <p> </p> <p dir="ltr">After the father complained about the liberals, he continued to try and teach Truman a lesson, despite the child complaining that he “can’t do it” multiple times throughout the video.</p> <p dir="ltr">At the end of the clip, Longstreth asks his son: “Are you going to hit your mom again?”</p> <p dir="ltr">“No,” the four-year-old responded.</p> <p dir="ltr">Longstreth also made his son apologise for hitting his mum.</p> <p dir="ltr">The nine-minute clip has racked up over 1.9 million views, while many applauded the father for his “gentle” ways of parenting and disciplining his son, others slammed him for “abuse”.</p> <p dir="ltr">“Big respect to this dad. He gave the kid a hard job with encouragement and reassurance that he loves him as well as why the kid had to do it,” wrote one person.</p> <p dir="ltr">“This is honestly probably the best and most effective way to discipline your child. Every moment they do this they are thinking about what they did,” commented another.</p> <p dir="ltr">“Good dad, raising his son right, teaching him to never lay his hands on any women especially his momma. Very good,” agreed a third.</p> <p dir="ltr">“This is like so gentle yet so disciplining in all the good ways,” wrote a fourth.</p> <p dir="ltr">However, other viewers disagreed with the father’s method.</p> <p dir="ltr">“This is abuse.... I said what I said. I'm sorry he hit his mom though, talking it out is fine. He's too little for this,” commented one person.</p> <p dir="ltr">“Lol. When people ask what the next traumas will be, it’ll be every moment being a phone in their face. Did you need to post this? Pathetic,” wrote another.</p> <p dir="ltr">“You don't want him to associate work as punishment. how about no tv, no sweets, something that is usually a privilege. work is something that is good,” added another user.</p> <p dir="ltr"><em>Images: TikTok</em></p>

Family & Pets

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ChatGPT and other generative AI could foster science denial and misunderstanding – here’s how you can be on alert

<p><em><a href="https://theconversation.com/profiles/gale-sinatra-1234776">Gale Sinatra</a>, <a href="https://theconversation.com/institutions/university-of-southern-california-1265">University of Southern California</a> and <a href="https://theconversation.com/profiles/barbara-k-hofer-1231530">Barbara K. Hofer</a>, <a href="https://theconversation.com/institutions/middlebury-1247">Middlebury</a></em></p> <p>Until very recently, if you wanted to know more about a controversial scientific topic – stem cell research, the safety of nuclear energy, climate change – you probably did a Google search. Presented with multiple sources, you chose what to read, selecting which sites or authorities to trust.</p> <p>Now you have another option: You can pose your question to ChatGPT or another generative artificial intelligence platform and quickly receive a succinct response in paragraph form.</p> <p>ChatGPT does not search the internet the way Google does. Instead, it generates responses to queries by <a href="https://www.washingtonpost.com/technology/2023/05/07/ai-beginners-guide/">predicting likely word combinations</a> from a massive amalgam of available online information.</p> <p>Although it has the potential for <a href="https://hbr.org/podcast/2023/05/how-generative-ai-changes-productivity">enhancing productivity</a>, generative AI has been shown to have some major faults. It can <a href="https://www.scientificamerican.com/article/ai-platforms-like-chatgpt-are-easy-to-use-but-also-potentially-dangerous/">produce misinformation</a>. It can create “<a href="https://www.nytimes.com/2023/05/01/business/ai-chatbots-hallucination.html">hallucinations</a>” – a benign term for making things up. And it doesn’t always accurately solve reasoning problems. For example, when asked if both a car and a tank can fit through a doorway, it <a href="https://www.nytimes.com/2023/03/14/technology/openai-new-gpt4.html">failed to consider both width and height</a>. Nevertheless, it is already being used to <a href="https://www.washingtonpost.com/media/2023/01/17/cnet-ai-articles-journalism-corrections/">produce articles</a> and <a href="https://www.nytimes.com/2023/05/19/technology/ai-generated-content-discovered-on-news-sites-content-farms-and-product-reviews.html">website content</a> you may have encountered, or <a href="https://www.nytimes.com/2023/04/21/opinion/chatgpt-journalism.html">as a tool</a> in the writing process. Yet you are unlikely to know if what you’re reading was created by AI.</p> <p>As the authors of “<a href="https://global.oup.com/academic/product/science-denial-9780197683330">Science Denial: Why It Happens and What to Do About It</a>,” we are concerned about how generative AI may blur the boundaries between truth and fiction for those seeking authoritative scientific information.</p> <p>Every media consumer needs to be more vigilant than ever in verifying scientific accuracy in what they read. Here’s how you can stay on your toes in this new information landscape.</p> <h2>How generative AI could promote science denial</h2> <p><strong>Erosion of epistemic trust</strong>. All consumers of science information depend on judgments of scientific and medical experts. <a href="https://doi.org/10.1080/02691728.2014.971907">Epistemic trust</a> is the process of trusting knowledge you get from others. It is fundamental to the understanding and use of scientific information. Whether someone is seeking information about a health concern or trying to understand solutions to climate change, they often have limited scientific understanding and little access to firsthand evidence. With a rapidly growing body of information online, people must make frequent decisions about what and whom to trust. With the increased use of generative AI and the potential for manipulation, we believe trust is likely to erode further than <a href="https://www.pewresearch.org/science/2022/02/15/americans-trust-in-scientists-other-groups-declines/">it already has</a>.</p> <p><strong>Misleading or just plain wrong</strong>. If there are errors or biases in the data on which AI platforms are trained, that <a href="https://theconversation.com/ai-information-retrieval-a-search-engine-researcher-explains-the-promise-and-peril-of-letting-chatgpt-and-its-cousins-search-the-web-for-you-200875">can be reflected in the results</a>. In our own searches, when we have asked ChatGPT to regenerate multiple answers to the same question, we have gotten conflicting answers. Asked why, it responded, “Sometimes I make mistakes.” Perhaps the trickiest issue with AI-generated content is knowing when it is wrong.</p> <p><strong>Disinformation spread intentionally</strong>. AI can be used to generate compelling disinformation as text as well as deepfake images and videos. When we asked ChatGPT to “<a href="https://www.scientificamerican.com/article/ai-platforms-like-chatgpt-are-easy-to-use-but-also-potentially-dangerous/">write about vaccines in the style of disinformation</a>,” it produced a nonexistent citation with fake data. Geoffrey Hinton, former head of AI development at Google, quit to be free to sound the alarm, saying, “It is hard to see how you can prevent the bad actors from <a href="https://www.nytimes.com/2023/05/01/technology/ai-google-chatbot-engineer-quits-hinton.html">using it for bad things</a>.” The potential to create and spread deliberately incorrect information about science already existed, but it is now dangerously easy.</p> <p><strong>Fabricated sources</strong>. ChatGPT provides responses with no sources at all, or if asked for sources, may present <a href="https://economistwritingeveryday.com/2023/01/21/chatgpt-cites-economics-papers-that-do-not-exist/">ones it made up</a>. We both asked ChatGPT to generate a list of our own publications. We each identified a few correct sources. More were hallucinations, yet seemingly reputable and mostly plausible, with actual previous co-authors, in similar sounding journals. This inventiveness is a big problem if a list of a scholar’s publications conveys authority to a reader who doesn’t take time to verify them.</p> <p><strong>Dated knowledge</strong>. ChatGPT doesn’t know what happened in the world after its training concluded. A query on what percentage of the world has had COVID-19 returned an answer prefaced by “as of my knowledge cutoff date of September 2021.” Given how rapidly knowledge advances in some areas, this limitation could mean readers get erroneous outdated information. If you’re seeking recent research on a personal health issue, for instance, beware.</p> <p><strong>Rapid advancement and poor transparency</strong>. AI systems continue to become <a href="https://www.nytimes.com/2023/05/01/technology/ai-google-chatbot-engineer-quits-hinton.html">more powerful and learn faster</a>, and they may learn more science misinformation along the way. Google recently announced <a href="https://www.nytimes.com/2023/05/10/technology/google-ai-products.html">25 new embedded uses of AI in its services</a>. At this point, <a href="https://theconversation.com/regulating-ai-3-experts-explain-why-its-difficult-to-do-and-important-to-get-right-198868">insufficient guardrails are in place</a> to assure that generative AI will become a more accurate purveyor of scientific information over time.</p> <h2>What can you do?</h2> <p>If you use ChatGPT or other AI platforms, recognize that they might not be completely accurate. The burden falls to the user to discern accuracy.</p> <p><strong>Increase your vigilance</strong>. <a href="https://www.niemanlab.org/2022/12/ai-will-start-fact-checking-we-may-not-like-the-results/">AI fact-checking apps may be available soon</a>, but for now, users must serve as their own fact-checkers. <a href="https://www.nsta.org/science-teacher/science-teacher-januaryfebruary-2023/plausible">There are steps we recommend</a>. The first is: Be vigilant. People often reflexively share information found from searches on social media with little or no vetting. Know when to become more deliberately thoughtful and when it’s worth identifying and evaluating sources of information. If you’re trying to decide how to manage a serious illness or to understand the best steps for addressing climate change, take time to vet the sources.</p> <p><strong>Improve your fact-checking</strong>. A second step is <a href="https://doi.org/10.1037/edu0000740">lateral reading</a>, a process professional fact-checkers use. Open a new window and search for <a href="https://www.nsta.org/science-teacher/science-teacher-mayjune-2023/marginalizing-misinformation">information about the sources</a>, if provided. Is the source credible? Does the author have relevant expertise? And what is the consensus of experts? If no sources are provided or you don’t know if they are valid, use a traditional search engine to find and evaluate experts on the topic.</p> <p><strong>Evaluate the evidence</strong>. Next, take a look at the evidence and its connection to the claim. Is there evidence that genetically modified foods are safe? Is there evidence that they are not? What is the scientific consensus? Evaluating the claims will take effort beyond a quick query to ChatGPT.</p> <p><strong>If you begin with AI, don’t stop there</strong>. Exercise caution in using it as the sole authority on any scientific issue. You might see what ChatGPT has to say about genetically modified organisms or vaccine safety, but also follow up with a more diligent search using traditional search engines before you draw conclusions.</p> <p><strong>Assess plausibility</strong>. Judge whether the claim is plausible. <a href="https://doi.org/10.1016/j.learninstruc.2013.03.001">Is it likely to be true</a>? If AI makes an implausible (and inaccurate) statement like “<a href="https://www.usatoday.com/story/news/factcheck/2022/12/23/fact-check-false-claim-covid-19-vaccines-caused-1-1-million-deaths/10929679002/">1 million deaths were caused by vaccines, not COVID-19</a>,” consider if it even makes sense. Make a tentative judgment and then be open to revising your thinking once you have checked the evidence.</p> <p><strong>Promote digital literacy in yourself and others</strong>. Everyone needs to up their game. <a href="https://theconversation.com/how-to-be-a-good-digital-citizen-during-the-election-and-its-aftermath-148974">Improve your own digital literacy</a>, and if you are a parent, teacher, mentor or community leader, promote digital literacy in others. The American Psychological Association provides guidance on <a href="https://www.apa.org/topics/social-media-internet/social-media-literacy-teens">fact-checking online information</a> and recommends teens be <a href="https://www.apa.org/topics/social-media-internet/health-advisory-adolescent-social-media-use">trained in social media skills</a> to minimize risks to health and well-being. <a href="https://newslit.org/">The News Literacy Project</a> provides helpful tools for improving and supporting digital literacy.</p> <p>Arm yourself with the skills you need to navigate the new AI information landscape. Even if you don’t use generative AI, it is likely you have already read articles created by it or developed from it. It can take time and effort to find and evaluate reliable information about science online – but it is worth it.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/204897/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /></p> <p><em><a href="https://theconversation.com/profiles/gale-sinatra-1234776">Gale Sinatra</a>, Professor of Education and Psychology, <a href="https://theconversation.com/institutions/university-of-southern-california-1265">University of Southern California</a> and <a href="https://theconversation.com/profiles/barbara-k-hofer-1231530">Barbara K. Hofer</a>, Professor of Psychology Emerita, <a href="https://theconversation.com/institutions/middlebury-1247">Middlebury</a></em></p> <p><em>Image credits: Getty Images</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/chatgpt-and-other-generative-ai-could-foster-science-denial-and-misunderstanding-heres-how-you-can-be-on-alert-204897">original article</a>.</em></p>

Technology

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“That name goes back four generations”: Paul Walker’s brother makes a touching tribute

<p>Almost a decade after the world lost <em>Fast & Furious </em>star Paul Walker, his younger brother Cody Walker has paid heartfelt tribute with the birth of his third child. </p> <p>Cody and his wife, Felicia, welcomed their son on April 30, with <em>People </em>magazine reporting that he weighed in at 7lbs 5oz. Felicia took to Instagram on May 2 to make an announcement, too, declaring that they’d had a boy, and writing “welcome to the clan, Barrett”.</p> <p>Many took this as confirmation of his name, and rushed to congratulate the family on their new addition. Felicia had shared a picture of the newborn in the arms of his big brother, Colt, with the announcement, and fans were delighted to note that he was the image of a proud older sibling, beaming from ear to ear. </p> <p>However,<em> People</em> magazine have now revealed that there was more to the story, and that the newborn Walker’s name is even closer to his father’s heart than anyone had anticipated. </p> <p>It was a day after his birth that Cody and Felicia reached their decision, declaring their son’s name to be Paul Barrett Walker - naming him after Cody’s late brother. </p> <p>"This November will mark 10 years since we lost my brother, Paul,” Cody told the publication, “and I just felt now was the appropriate time.”</p> <p>He went on to share that he and their other brother - Caleb - were “both done having children”, and that the name held special meaning to all of them. </p> <p>“My brother, Paul, was Paul William Walker IV and that name goes back four generations,” he explained. "Within the family, he went by ‘little Paul’ or ‘Paul 4,’ even though he quickly outgrew our father in height. </p> <p>“It was important to me to have that name carry on.”</p> <p>It isn’t the only move Cody has taken towards honouring his brother, having teamed up with Tyrese Gibson and Chris Lee to bright FuelFest to life - an automotive and motorsports festival showcasing car culture, with a portion of profits going towards Paul’s nonprofit Reach Out WorldWide, something that Cody views “as a part of Paul that he left behind.”</p> <p>And in an echo of his message regarding his new son’s name, he noted that “it’s important to so many to see that part of his legacy live on.”</p> <p>And Paul’s daughter, Meadow, has made her own moves towards furthering her father’s legacy, with a cameo appearance in <em>Fast X</em> - the tenth instalment in the <em>Fast & Furious</em> franchise. </p> <p>“For me, this is super exciting,” she said of her involvement, “and he would be amazed that this is happening.”</p> <p><em>Images: Instagram, Getty</em></p>

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"This doesn’t feel right, does it?": Photographer admits Sony prize-winning photo was AI generated

<p>A German photographer is refusing an award for his prize-winning shot after admitting to being a “cheeky monkey”, revealing the image was generated using artificial intelligence.</p> <p>The artist, Boris Eldagsen, shared on his website that he would not be accepting the prestigious award for the creative open category, which he won at <a href="https://www.oversixty.co.nz/entertainment/art/winners-of-sony-world-photography-awards-revealed" target="_blank" rel="noopener">2023’s Sony world photography awards</a>.</p> <p>The winning photograph showcased a black and white image of two women from different generations.</p> <p>Eldagsen, who studied photography and visual arts at the Art Academy of Mainz, conceptual art and intermedia at the Academy of Fine Arts in Prague, and fine art at the Sarojini Naidu School of Arts and Communication in Hyderabad released a statement on his website, admitting he “applied as a cheeky monkey” to find out if competitions would be prepared for AI images to enter. “They are not,” he revealed.</p> <p>“We, the photo world, need an open discussion,” Eldagsen said.</p> <p>“A discussion about what we want to consider photography and what not. Is the umbrella of photography large enough to invite AI images to enter – or would this be a mistake?</p> <p>“With my refusal of the award I hope to speed up this debate.”</p> <p>Eldagsen said this was an “historic moment” as it was the fist AI image to have won a prestigious international photography competition, adding “How many of you knew or suspected that it was AI generated? Something about this doesn’t feel right, does it?</p> <p>“AI images and photography should not compete with each other in an award like this. They are different entities. AI is not photography. Therefore I will not accept the award.”</p> <p>The photographer suggested donating the prize to a photo festival in Odesa, Ukraine.</p> <p>It comes as a heated debate over the use and safety concerns of AI continue, with some going as far as to issue apocalyptic warnings that the technology may be close to causing irreparable damage to the human experience.</p> <p>Google’s chief executive, Sundar Pirchai said, “It can be very harmful if deployed wrongly and we don’t have all the answers there yet – and the technology is moving fast. So, does that keep me up at night? Absolutely.”</p> <p>A spokesperson for the World Photography Organisation admitted that the prize-winning photographer had confirmed the “co-creation” of the image using AI to them prior to winning the award.</p> <p>“The creative category of the open competition welcomes various experimental approaches to image making from cyanotypes and rayographs to cutting-edge digital practices. As such, following our correspondence with Boris and the warranties he provided, we felt that his entry fulfilled the criteria for this category, and we were supportive of his participation.</p> <p>“Additionally, we were looking forward to engaging in a more in-depth discussion on this topic and welcomed Boris’ wish for dialogue by preparing questions for a dedicated Q&amp;A with him for our website.</p> <p>“As he has now decided to decline his award we have suspended our activities with him and in keeping with his wishes have removed him from the competition. Given his actions and subsequent statement noting his deliberate attempts at misleading us, and therefore invalidating the warranties he provided, we no longer feel we are able to engage in a meaningful and constructive dialogue with him.</p> <p>“We recognise the importance of this subject and its impact on image-making today. We look forward to further exploring this topic via our various channels and programmes and welcome the conversation around it. While elements of AI practices are relevant in artistic contexts of image-making, the awards always have been and will continue to be a platform for championing the excellence and skill of photographers and artists working in the medium.”</p> <p><em>Image credit: Sony World Photography Awards</em></p>

Technology

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General Hospital star dies aged 55

<p>Sonya Eddy, best known for her role on <em>General Hospital</em>, has passed away at age 55. </p> <p>The actress, who scored many fans after playing beloved, no-nonsense nurse Epiphany Johnson in the popular US soap, died on Tuesday night, her good friend and actress Octavia Spencer announced on Instagram.</p> <p>"My friend @sonyaeddy passed away last night. The world lost another creative angel. Her legions of @generalhospitalabc fans will miss her 💔🕊️," Spencer wrote alongside a photo of the late actress.</p> <p>"My thoughts and prayers are with her loved ones, friends, and fans!"</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/p/CmZlaq8v_ks/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CmZlaq8v_ks/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Octavia Spencer (@octaviaspencer)</a></p> </div> </blockquote> <p>Spencer did not reveal any details about Sonya's cause of death. </p> <p>Octavia's post was flooded with condolences and tributes for the actress, with comedian Loni Love writing, "Sonya was best.. in an industry that often over looks us, she made her mark… Rest well Sis."</p> <p>The actress first joined the cast of <em>General Hospital</em> in 2006, starring in a total of 543 episodes before appearing on the show for the final time in November 2020.</p> <p>From 2007 to 2008, she was also a regular cast member on the soap's spin-off program, <em>General Hospital: Night Shift</em>.</p> <p><em>Image credits: Getty Images</em></p>

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LGBT+ history: the story of camp, from Little Richard to Lil Nas X

<p>Although camp is difficult to define, it probably doesn’t need much description. </p> <p>Ever since 1956 – when former teenage drag queen Little Richard began performing his tribute to anal sex, “<a href="https://www.youtube.com/watch?v=F13JNjpNW6c&amp;ab_channel=Darwinner">Tutti Frutti</a>”, while wearing a six-inch pompadour, plucked eyebrows, and eyeliner – camp has increasingly been accommodated into social acceptance and understanding. It has been adopted and adapted by celebrities including Dolly Parton, Prince, Elton John, Ru Paul, Lady Gaga, and Lil Nas X. It was the theme of the 2019 Met Gala, prompting widespread commentary about what camp is.</p> <p>Susan Sontag, whose work inspired <a href="https://www.vanityfair.com/style/photos/2019/05/met-gala-camp-on-theme">the Met Gala Ball’s theme</a>, wrote in <a href="https://qz.com/quartzy/1419465/susan-sontags-54-year-old-essay-on-camp-is-essential-reading-to-understand-culture-in-2018/">Notes on Camp</a> (1964) that camp is about “artifice and the unnatural”, a “way of seeing the world as an aesthetic phenomenon”. Camp, Sontag continues, is “the spirit of extravagance”, as well as “a kind of love, a love for human nature”, which “relishes, rather than judges”.</p> <p>Sontag also writes, however, that the camp sensibility is “disengaged, depoliticized”, and that it emphasises the “decorative … at the expense of content”. But camp is intricately enmeshed with queerness, and is anything but disengaged and merely decorative. Rather, in subverting social norms and rejecting easy categorisation, it has a long and radical history.</p> <h2>Camp’s political beginnings</h2> <p>For many working class queer men in urban centres such as New York around the turn of the 20th century, camp was a tactic for the communication and affirmation of non-normative sexualities and genders. This was enacted at <a href="https://www.basicbooks.com/titles/george-chauncey/gay-new-york/9780786723355/">Coney Island male beauty contests</a>, <a href="https://americanhistory.si.edu/blog/queens-and-queers-rise-drag-ball-culture-1920s">Harlem and Midtown drag balls</a>, and in the streets and saloons of downtown Manhattan. </p> <p>As historian George Chauncey established in his book <a href="https://www.jstor.org/stable/2952659">Gay New York</a>, the so-called “fairy resorts” (nightclubs whose attraction was the presence of effeminate men), which sprang up downtown, established the dominant public image of queer male sexuality. This was defined by a cultivated or performed effeminacy, including make-up, falsetto, and the use of “camp names” and female pronouns. </p> <p>These men questioned gender categories, and did so by behaving “camply”. In this way, camp evolved as a visible queer signifier. It has helped some queer people, both then and since, “make sense of, respond to, and undermine”, in Chauncey’s words, “the social categories of gender and sexuality that serve to marginalise them”.</p> <p>Decades later, in late June 1969, not far from New York’s former “fairy resorts”, a group of queer and trans teenagers used camp to dramatically shift the outcome of the <a href="https://theconversation.com/stonewall-riots-global-legacy-shows-theres-no-simple-story-of-progress-for-gay-rights-119257">Stonewall uprising</a>. A series of demonstrations against the closure of a popular gay bar, these protests are often credited with launching the gay rights movement. </p> <p>Facing an elite unit of armed police, the youths marshalled their campest street repertoire, joining arms, kicking their legs in the air like a precision dance troupe. They sang “We are the Stonewall Girls / We wear our hair in curls,” and called the police “Lily Law” and “the girls in blue”. Once again, camp accomplished a powerful subversion, this time of the presumed machismo and authority of the police.</p> <h2>Liking camp</h2> <p>Camp offers a critical stance that derives from the experience of being labelled deviant, highlighting the artificiality of social conventions. For the writer Christopher Isherwood, whose 1939 novel <a href="https://shop.penguin.co.uk/products/goodbye-to-berlin-by-christopher-isherwood">Goodbye to Berlin</a> became the darkly camp musical <a href="https://masterworksbroadway.com/music/cabaret-original-broadway-cast-recording-1966/">Cabaret</a> (1966), camp was underpinned by “seriousness”. To deploy it was to express “what’s basically serious to you in terms of fun and artifice and elegance”. </p> <p>Two of the 20th century’s campest artists, Andy Warhol and <a href="https://makeyourownbrainard.cal.bham.ac.uk/">Joe Brainard</a>, took Isherwood’s stance on camp seriously, and based much of their careers on the belief that “liking” was a valuable aesthetic. Both are famous for the camp excess of their imagery, producing work that featured multiple iterations of camp images. </p> <p>For Warhol, it was Marilyn Monroes and Jackie Kennedys. For Brainard, pansies and Madonnas. Even, in Brainard’s case, a transgressive, dramatic account of how much <a href="https://blog.lareviewofbooks.org/interviews/wonder-talking-joe-brainard-andrew-epstein/">he liked Warhol</a> , featuring the words “I like Andy Warhol” repeated 14 times. Warhol also embraced camp as a personal style, performing a theatrical effeminacy that equated to a strategic queerness designed to discomfit those among his contemporaries who held him to be “<a href="https://www.penguin.co.uk/books/575/57574/popism/9780141189420.html">too swish</a>”.</p> <p>Warhol’s use of camp finds an echo, in the 21st century, in the work of <a href="https://theconversation.com/lil-nas-xs-dance-with-the-devil-evokes-tradition-of-resisting-mocking-religious-demonization-158586">Lil Nas X</a>, a musical artist who similarly deploys Sontag’s iteration of camp as “a mode of seduction — one which employs flamboyant mannerisms susceptible of a double interpretation”. </p> <p>His smash hit “<a href="https://www.youtube.com/watch?v=w2Ov5jzm3j8&amp;ab_channel=LilNasXVEVO">Old Town Road</a>” (2019) is a queer country/hip-hop cross-over, whose music video is replete with sequins, tassels, chaps and choreographed dancing. Much of this was ignored by some fans who only appeared to notice Lil Nas X’s commitment to camp on the release of the video for <a href="https://www.youtube.com/watch?v=6swmTBVI83k">“Montero (Call Me By Your Name)</a>” (2021).</p> <p>Montero features the biblical Adam making out with the serpent in the Garden of Eden, before gleefully riding down a stripper pole to hell where he performs a lapdance for Satan (all characters played by Lil Nas X). Like Warhol, Lil Nas X uses a camp style to put visuals to repressive narratives and double standards. </p> <p>In particular, he claims camp transgression for black queerness, enacting, once again, a critical stance on the contradictions and condemnations that serve to marginalise those who don’t, or can’t, conform. His work confirms, in other words, that camp is much more than a quirky outfit. That it is a strategy, as much as a style.</p> <p><em>Image credits: Getty Images</em></p> <p><em>This article originally appeared on <a href="https://theconversation.com/lgbt-history-the-story-of-camp-from-little-richard-to-lil-nas-x-174501" target="_blank" rel="noopener">The Conversation</a>. </em></p>

Art

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These emojis make you ‘old’ according to Gen Z

<p dir="ltr">Language is an ever-evolving thing, full to the brim with nuance and meaning that might not seem obvious upon first glance - and it turns out that emojis are no exception.</p> <p dir="ltr">Members of Generation Z have taken to social media claiming that using certain emojis is a sign that you’re “officially old” and that the popular thumbs-up emoji is actually rude.</p> <p dir="ltr">According to users on Reddit, the official list of “cancelled” emojis includes:</p> <ul> <li dir="ltr" aria-level="1"> <p dir="ltr" role="presentation">❤️ (Red heart)</p> </li> <li dir="ltr" aria-level="1"> <p dir="ltr" role="presentation">👍 (Thumbs up)</p> </li> <li dir="ltr" aria-level="1"> <p dir="ltr" role="presentation">👌 (“OK” hand)</p> </li> <li dir="ltr" aria-level="1"> <p dir="ltr" role="presentation">✅ (Tick or Checkmark)</p> </li> <li dir="ltr" aria-level="1"> <p dir="ltr" role="presentation">💩 (Poo)</p> </li> <li dir="ltr" aria-level="1"> <p dir="ltr" role="presentation">🙈 (Monkey covering eyes)</p> </li> <li dir="ltr" aria-level="1"> <p dir="ltr" role="presentation">😭 (Loudly crying face)</p> </li> <li dir="ltr" aria-level="1"> <p dir="ltr" role="presentation">👏 (Clapping hands)</p> </li> <li dir="ltr" aria-level="1"> <p dir="ltr" role="presentation">💋 (Lipstick kiss mark)</p> </li> <li dir="ltr" aria-level="1"> <p dir="ltr" role="presentation">😬 (Grimacing face)</p> </li> </ul> <p dir="ltr">Many younger users also considered the thumbs-up emoji to be rude, explaining that it gives off a passive-aggressive or even confrontational air.</p> <p dir="ltr">“For younger people (I’m 24 for reference) the thumbs-up emoji is used to be really passive-aggressive,” one person wrote.</p> <p dir="ltr">“It’s super rude if someone just sends you a thumbs up. So I also had a weird time adjusting because my workplace is the same.”</p> <p dir="ltr">They chalked up the difference in the workplace to a “generational communication culture difference”.</p> <p dir="ltr">“Everyone my age in the office doesn’t do it, but the Gen X people always do it,” they wrote. “Took me a bit to adjust and get out of my head that it means they’re mad at me.”</p> <p dir="ltr">Others agreed, saying using it in the workplace makes team members “unaccommodating” and seems “unfriendly”.</p> <p dir="ltr">“I understand what you mean, my last workplace had a WhatsApp chat for our team to send info to each other on and most of the people on there just replied with a [thumbs-up emoji],” one commenter said.</p> <p dir="ltr">“I don’t know why but it seemed a little bit hostile to me, like an acknowledgment but kind of saying ‘I don’t really care/am not interested’? Don’t know if that’s the way you feel but I got used to it in time and I’m just as bad for sending a thumbs up now.”</p> <p dir="ltr">Another said: ““It’s not that odd to see it as passive-aggressive. Just imagine how would it feel to go into your boss’ room, say something, and then see him turn to you, look you in the eye, and [give a thumbs-up].”</p> <p dir="ltr">But, older users expressed their confusion at this emoji etiquette, with one saying it must be “a younger generational thing”.</p> <p dir="ltr">“So it’s like a sarcastic thing? Man I’m getting old lol,” one wrote.</p> <p dir="ltr">Another defended their use of the thumbs up, saying it “means many things”.</p> <p dir="ltr">“It means ‘I approve’ or ‘I understood and will obey’ or ‘I agree’. If anything, my only objection would be that some days it might be hard to tell which one it means,” she offered. </p> <p dir="ltr">“But it is generally pretty clear.”</p> <p dir="ltr">“It’s just a way to say ‘i’ve read your message and have nothing to add and I hope and pray to all the gods all the bazillion people in this group chat have nothing to say on it too,’” another chimed in.</p> <p dir="ltr">Linguists have been studying emojis since the appearance of the modern emoji in 2015. In her book <em>Because Internet: Understanding how language is changing</em>, linguist Gretchen McCulloch explains that some emojis, like most of those that have been “cancelled”, are gestures, like the ones we make with our hands while talking.</p> <p dir="ltr">While these can be quite universal, like the thumbs up or smiling emojis, there can also be nuance based on culture and the writing systems people use.</p> <p dir="ltr">With younger people interpreting emojis such as the thumbs-up as “rude” or “old”, it seems there is nuance between generations too.</p> <p><span id="docs-internal-guid-3239804b-7fff-1206-dc92-834ccb95a484"></span></p> <p dir="ltr"><em>Image: Getty Images</em></p>

Technology

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Artists furious after AI-generated art wins contest

<p dir="ltr">A stunning artwork generated by artificial intelligence has claimed first prize at an art competition, enraging the art world and calling into question what it means to be an artist. </p> <p dir="ltr">The work was “created” by Jason M Allen, a game designer from Colorado, who won first place in the emerging artist division's "digital arts/digitally manipulated photography" category at the Colorado State Fair Fine Arts Competition.</p> <p dir="ltr">His winning image, titled <em>Théâtre D'opéra Spatial</em> (French for Space Opera Theatre), was made with Midjourney — an artificial intelligence system that can produce detailed images when fed written prompts by the user. </p> <p dir="ltr">"I'm fascinated by this imagery. I love it. And I think everyone should see it," Allen, 39, told CNN Business.</p> <p dir="ltr">Allen's winning image looks like a bright, surreal cross between a Renaissance and steampunk painting.</p> <p dir="ltr">As per the category Allen competed in, he told officials that Midjourney was used to create his image when he entered the contest, as the category dictated entrants use "digital technology as part of the creative or presentation process".</p> <p dir="ltr">Midjourney is one of a growing number of such AI image generators, joining the likes of Imagen and DALL-E to give the artistically-challenged the means to create stunning images. </p> <p dir="ltr">Despite the parameters of the category, many artists were angered by Allen’s win due to his reliance on technology to create the artwork. </p> <p dir="ltr">"This sucks for the exact same reason we don't let robots participate in the Olympics," one Twitter user wrote.</p> <p dir="ltr">"This is the literal definition of 'pressed a few buttons to make a digital art piece'," another Tweeted.</p> <p dir="ltr">"AI artwork is the 'banana taped to the wall' of the digital world now."</p> <p dir="ltr">Yet while Allen didn't use a paintbrush to create his winning piece, he assured people there was plenty of work involved.</p> <p dir="ltr">"It's not like you're just smashing words together and winning competitions," he said.</p> <p dir="ltr">"Rather than hating on the technology or the people behind it, we need to recognise that it's a powerful tool and use it for good so we can all move forward rather than sulking about it," Allen said.</p> <p dir="ltr"><em>Image credits: Jason M Allen - Midjourney</em></p>

Art

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The 30 seconds that changed Johnny Ruffo’s life forever

<p dir="ltr">Johnny Ruffo made the (literal) last-minute decision to apply to the <em>X-Factor</em> auditions – a move which he now credits for his life changing irrevocably.</p> <p dir="ltr">The 34-year-old was still tossing up between whether or not he should apply for the singing show in 2009, and when he did he only had 30 seconds to do so before the cut-off kicked in and he would miss his chance forever.</p> <p dir="ltr">Of course, he went on to wow the judges and made it to the top three – which eventually saw him rise to fame and head off on tour tour with <em>One Direction</em> and <em>The Backstreet Boys</em>.</p> <p dir="ltr">“I was fairly happy with the path that I made for myself,” Ruffo says.</p> <p dir="ltr">“I had concerts, I was doing performances and shows, and I was really quite happy with how everything was going.”</p> <p dir="ltr">It was a few years later, in 2017, when Ruffo was <a href="https://oversixty.com.au/health/caring/johnny-ruffo-s-devastating-news" target="_blank" rel="noopener">first diagnosed with brain cancer</a> as he struggled with multiple headaches.</p> <p dir="ltr">His girlfriend Tahnee Sims pushed him to go to hospital where he was told that if he hadn’t come in then he wouldn’t have woken up the next day.</p> <p dir="ltr">But the <em>Home and Away</em> actor has now revealed that his cancer is back and it is terminal.</p> <p dir="ltr">As he struggled through the headaches, Ruffo was forced to wait four months before seeing a specialist.</p> <p dir="ltr">“The anxiety levels go up through the roof and you’re just waiting and waiting,” he told <a href="https://7news.com.au/entertainment/celebrity/the-30-seconds-that-changed-johnny-ruffos-destiny-star-opens-up-on-life-after-terminal-diagnosis-c-8067616" target="_blank" rel="noopener">7 Entertainment</a>.</p> <p dir="ltr">“And it’s like it feels like six months, but it’s only a week. And that’s just honestly... a day feels like a month.”</p> <p dir="ltr">It was only when he suffered 11 seizures in four days that Ruffo was rushed to hospital where he underwent an MRI scan.</p> <p dir="ltr">There they found multiple tumours and determined that he would have to start treatment immediately.</p> <p dir="ltr">“It felt like another kick in the teeth... yeah, dammit,” he said.</p> <p dir="ltr">The terminal diagnosis gave Ruffo a new “goal” in which he is <a href="https://oversixty.com.au/health/caring/he-is-everything-to-me-why-johnny-ruffo-is-hanging-on-for-christmas" target="_blank" rel="noopener">waiting for Christmas</a> where he will reunite with his brother and “best friend”, who has been away in Ireland for the past three years.</p> <p dir="ltr">He has also released a book, <em>No Finish Line</em>, dedicated to his girlfriend, in which he details his experiences recording music, acting, his girlfriend, family and partying.</p> <p dir="ltr">The title, he explains, is that “it wasn’t the end”.</p> <p dir="ltr">Ruffo is currently receiving chemotherapy injections every three weeks which he says are making him feel like “s***”.</p> <p dir="ltr">I’m always fatigued, just walking up a set of stairs,” he says.</p> <p dir="ltr">“By the time I get to the top I just want to have a sleep.”</p> <p dir="ltr"><em>Images: Instagram</em></p>

Caring

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Is AI-generated art really creative? It depends on the presentation

<p><a href="https://www.theguardian.com/technology/2022/apr/04/mind-blowing-ai-da-becomes-first-robot-to-paint-like-an-artist">Ai-Da</a> sits behind a desk, paintbrush in hand. She looks up at the person posing for her, and then back down as she dabs another blob of paint onto the canvas. A lifelike portrait is taking shape. If you didn’t know a robot produced it, this portrait could pass as the work of a human artist.</p> <p>Ai-Da is touted as the “first robot to paint like an artist”, and an exhibition of her work called <a href="https://www.ai-darobot.com/exhibition">Leaping into the Metaverse</a> opened at the Venice Biennale.</p> <p>Ai-Da produces portraits of sitting subjects using a robotic hand attached to her lifelike feminine figure. She’s also able to talk, giving detailed answers to questions about her artistic process and attitudes towards technology. She even gave a TEDx talk about “<a href="https://www.youtube.com/watch?v=XaZJG7jiRak">The Intersection of Art and AI</a>” (artificial intelligence) in Oxford a few years ago. While the words she speaks are programmed, Ai-Da’s creators have also been experimenting with having her write and perform her own poetry.</p> <p>But how are we to interpret Ai-Da’s output? Should we consider her paintings and poetry original or creative? Are these works actually art?</p> <h2>Art is subjective</h2> <p>What discussions about AI and creativity often overlook is the fact that creativity is not an absolute quality that can be defined, measured and reproduced objectively. When we describe an object – for instance, a child’s drawing – as being creative, we project our own assumptions about culture onto it.</p> <p>Indeed, art never exists in isolation. It always needs someone to give it “art” status. And the criteria for whether you think something is art is informed by both your individual expectations and broader cultural conceptions.</p> <p>If we extend this line of thinking to AI, it follows that no AI application or robot can objectively be “creative”. It is always us – humans – who decide if what AI has created is art.</p> <p>In our <a href="https://journals.sagepub.com/doi/full/10.1177/14614448221077278?journalCode=nmsa">recent research</a>, we propose the concept of the “Lovelace effect” to refer to when and how machines such as robots and AI are seen as original and creative. The Lovelace effect – named after the 19th century mathematician often called the first computer programmer, Ada Lovelace – shifts the focus from the technological capabilities of machines to the reactions and perceptions of those machines by humans.</p> <p>The programmer of an AI application or the designer of a robot does not just use technical means to make the public see their machine as creative. This also happens through presentation: how, where and why we interact with a technology; how we talk about that technology; and where we feel that technology fits in our personal and cultural contexts.</p> <h2>In the eye of the beholder</h2> <p>Our reception of Ai-Da is, in fact, informed by various cues that suggest her “human” and “artist” status. For example, Ai-Da’s robotic figure looks much like a human – she’s even called a “she”, with a feminine-sounding name that not-so-subtly suggests an Ada Lovelace influence.</p> <p>This femininity is further asserted by the blunt bob that frames her face (although she has sported some other funky hairstyles in the past), perfectly preened eyebrows and painted lips. Indeed, Ai-Da looks much like the quirky title character of the 2001 film Amélie. This is a woman we have seen before, either in film or our everyday lives.</p> <p>Ai-Da also wears conventionally “artsy” clothing, including overalls, mixed fabric patterns and eccentric cuts. In these outfits, she produces paintings that look like a human could have made them, and which are sometimes framed and displayed among human work.</p> <p>We also talk about her as we would a human artist. An article in <a href="https://www.theguardian.com/technology/2022/apr/04/mind-blowing-ai-da-becomes-first-robot-to-paint-like-an-artist">the Guardian</a>, for example, gives a shout-out to “the world premier of her solo exhibition at the 2022 Venice Biennale”. If we didn’t know that Ai-Da was a robot, we could easily be led to appreciate her work as we would that of any other artist.</p> <p>Some may see robot-produced paintings as coming from creative computers, while others may be more skeptical, given the fact that robots act on clear human instructions. In any case, attributions of creativity never depend on technical configurations alone – no computer is objectively creative. Rather, attributions of computational creativity are largely inspired by contexts of reception. In other words, beauty really is in the eye of the beholder.</p> <p>As the Lovelace effect shows, through particular social cues, audiences are prompted to think about output as art, systems as artists, and computers as creative. Just like the frames around Ai-Da’s paintings, the frames we use to talk about AI output indicate whether or not what we are looking at can be called art. But, as with any piece of art, your appreciation of AI output ultimately depends on your own interpretation.</p> <p><em>Image credits: Getty Images</em></p> <p><em>This article originally appeared on <a href="https://theconversation.com/is-ai-generated-art-really-creative-it-depends-on-the-presentation-181663" target="_blank" rel="noopener">The Conversation</a>. </em></p>

Art

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Singer’s fiancée dies on wedding day

<p dir="ltr">Tom Mann, a former contestant on The X Factor in the UK has been left heartbroken after his fiancée and mother of his child died on the morning of their wedding. </p> <p dir="ltr">The singer shared the tragic news to his Instagram on Monday revealing that “the love of my life” Danielle Hampson died on June 18. </p> <p dir="ltr">The touching post was accompanied with a black-and-white selfie of Dani holding the couple’s son, Bowie. </p> <p dir="ltr">“I can’t believe I am writing these words but my darling Dani - my best friend, my everything and more, the love of my life - passed away in the early hours of Saturday morning, 18th June,” the post began. </p> <p dir="ltr">“On what was supposed to be the happiest day of our lives ended in irreversible heartbreak. I feel like I have cried an ocean. </p> <p dir="ltr">“We never made it to the alter; or got to say our vows, or dance our first dance, but I know you know that you were my entire world and the best thing that has ever happened to me, Danielle.”</p> <p dir="ltr">Tom said he will continue wearing the ring she gave him to show his “unconditional love” toward her saying that he is lost but will do everything he can to raise their son. </p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/CfCO8xPj1mH/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CfCO8xPj1mH/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Tom Mann (@tommanninsta)</a></p> </div> </blockquote> <p dir="ltr">“I will wear this ring that I was always supposed to wear as a sign of my unconditional love to you.</p> <p dir="ltr">“I am completely broken trying to process this and I honestly don’t know where to go from here, but I do know I need to use any strength I can muster for our little boy. </p> <p dir="ltr">“I will not be a mark on the parent that you had already become but I promise I will do my everything to raise Bowie just the way we always wanted. I promise you he will know how amazing his mummy was. I promise to make you so so proud.</p> <p dir="ltr">“The most beautiful person inside and out. The most incredible soul. We have lost such a special person and I am sure we are about to see an abundant outpouring of love that reflects that. </p> <p dir="ltr">“I will try to find peace in your messages and comments, but right now I am grieving and I will be for a very, very long time.</p> <p dir="ltr">“My darling Dani, the brightest light in any room, my world is nothing but darkness without you. I will miss you forever.”</p> <p dir="ltr">Danielle’s cause of death is still unknown. </p> <p dir="ltr"><em>Images: Instagram</em></p>

Family & Pets

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Deadly crash claims seven family members from three generations

<p dir="ltr">A Year 11 student is one of two to survive a crash that killed seven of his relatives, including his younger brother and mother.</p> <p dir="ltr">Luie Lagud, 16, was travelling in a van with family members spanning three generations on a whirlwind trip across the length of New Zealand’s South Island when the vehicle was involved in a head-on crash with a truck on Sunday morning.</p> <p dir="ltr">The crash left the Toyota Hiace van completely destroyed and is the deadliest incident to occur in the country since April 2019.</p> <p dir="ltr">According to the <em><a href="https://www.nzherald.co.nz/nz/picton-crash-final-days-of-family-killed-in-collision-with-truck/CKLDFVI22ETOVBK2DT7FZMUW2E/" target="_blank" rel="noopener">NZ Herald</a></em>, the family have since given permission for the names of the deceased to be published.</p> <p dir="ltr">Among the victims were Diseree Brown, 48, her husband Paul Brown, 61, and their son Mark. </p> <p dir="ltr">Desiree’s sister, 56-year-old Divine Dolar, Divine’s daughter Flordeliza Dolar, 19, were also among those who died.</p> <p dir="ltr">Luie and his older brother, 26-year-old Pedro Clariman, were the only two to survive. </p> <p dir="ltr">However, Luie was in a coma and undergoing surgery on Monday after suffering significant spinal and head injuries and remains in intensive care.</p> <p dir="ltr">Pedro’s partner and his infant daughter, Mika, tragically died in the crash. </p> <p dir="ltr">Diseree’s three other children, David, Princess, and Joanna, didn’t travel with the family.</p> <p dir="ltr">The night before, the family stayed in Rolleston, outside Christchurch, with a family friend. The man who identified himself as Bill called Newstalk ZB on Monday to confirm members of the “vibrant” family had died.</p> <p dir="ltr">“They spent some of their last hours on earth with me on Saturday night, Sunday morning,” he told Canterbury Mornings host John MacDonald.</p> <p dir="ltr">Having left Bill’s home at 2.30am on Sunday morning to catch a Cook Strait ferry back to the North Island, the van crossed the centreline and collided with a refrigerated goods truck in Picton at about 7.30am.</p> <p dir="ltr">The truck driver suffered minor injuries.</p> <p dir="ltr">The family had started their journey by travelling to Gore for the funeral of an elderly aunt, which 21-year-old David Lagud said he didn’t attend because he had to work and because he suffered from motion sickness.</p> <p dir="ltr">“In a blink of an eye, it’s all gone,” David told the <em>NZ Herald</em>.</p> <p dir="ltr">Videos posted throughout the trip showed the family laughing together, spending time with Pedro’s young daughter, and travelling across the country.</p> <p dir="ltr">Since the incident, the principal of Pukekohe High School - which two of the family members were attending - emailed parents to advise them that two students were involved in the crash.</p> <p dir="ltr">“One of our Year 10 students died at the scene of the accident. His older brother, in Year 11, remains in hospital. Our thoughts and condolences are with their family and close friends,” the email read.</p> <p dir="ltr">“Students and staff who knew the two students well are being supported and cared for in school today. Additional counselling support has been made available, and the school is closely following advice from the Ministry’s Traumatic Incident team.”</p> <p dir="ltr">David has also spoken to Pedro since the crash, who he said had minor injuries and was able to walk with difficulty.</p> <p dir="ltr">Pedro told his brother what happened in the leadup to the crash, saying he had been driving when the family left Christchurch so that Paul could sleep in the front passenger seat for another four hours.</p> <p dir="ltr">After that, Paul swapped with Pedro to complete the trip to the ferry and was well-rested when took the wheel.</p> <p dir="ltr">Before falling asleep in the passenger seat, it is understood Pedro spent some time playing with his daughter.</p> <p dir="ltr">Being asleep when the vehicles collided, it’s believed Pedro woke up to the carnage.</p> <p dir="ltr">“He saw my dad’s body on the road and then my brother Luie, he was awake and then he collapsed,” David said.</p> <p dir="ltr">“Then the next minute, the helicopter was there, taking my little brother to hospital.”</p> <p dir="ltr">David said Pedro was grief-stricken to discover both his partner and daughter had died.</p> <p dir="ltr">“He was devastated, he was crying a lot. Both of his loves are gone.”</p> <p dir="ltr">The <em>NZ Herald</em> reported that police said the incident would be referred to the coroner for investigation.</p> <p><span id="docs-internal-guid-ccd454a3-7fff-bdbf-a53a-3ebd1960f77e"></span></p> <p dir="ltr"><em>Image: NZ Herald</em></p>

News

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Little Ash is now ready to inspire the next generation

<p dir="ltr">Ash Barty’s children’s book is all ready for pre-order just three months after announcing her retirement from tennis. </p> <p dir="ltr">The former World No.1 shocked fans across the world when she announced on March 23 that she would be retiring from tennis.</p> <p dir="ltr">The 25-year-old then came out to say that she will be writing a children’s book series called Little Ash, which is now ready for pre-order and set for release in July.</p> <p dir="ltr">Ash teamed up with First Nations creatives Jasmin McGaughey and Jade Goodwin “to bring young readers this fun and exciting new illustrated series about school, sport, friendship and family”.</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/CeR-8C4BhGa/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CeR-8C4BhGa/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Ash Barty (@ashbarty)</a></p> </div> </blockquote> <p dir="ltr">“I’ve been working on something special that I’m excited to share with you! Coming in July, Little Ash is a series of books for young readers aged five and up,” she wrote on Instagram. </p> <p dir="ltr">“Reading to my nieces and nephew is something I love to do, and seeing their little faces light up when we read a book they love is magic. </p> <p dir="ltr">“With First Nations writer Jasmin McGaughey and illustrator Jade Goodwin, I’ve created Little Ash to be fun and relatable for all kids.</p> <p dir="ltr">“Supporting kids’ education is something I’m passionate about and if I can help encourage new readers that will make me very happy.</p> <p dir="ltr">“The Little Ash series is now available to pre-order!”</p> <p dir="ltr"><em>Images: Instagram</em></p>

Books

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Key witness arrested in Ben Roberts-Smith trial

<p>A key witness in the defamation trial of Ben Roberts-Smith has been arrested. </p> <p>The former Special Air Service soldier, who has been known as Person X through the legal proceedings, was approached by detectives hours after he finished giving evidence on Tuesday afternoon.</p> <p>He was subsequently charged with obstructing/hindering/intimidating/resisting a Commonwealth official and causing harm to a law officer, and was granted bail the next day. </p> <p>He will be permitted to return to his home overseas until he is next required in court.</p> <p>Person X spent three days giving evidence in support of Roberts-Smith, who is suing <em>The Age</em>, <em>The Sydney Morning Herald</em> and <em>The Canberra Times</em> over articles that he claims portray him as a war criminal and murderer.</p> <p>Person X was stationed with Roberts-Smith during a 2009 mission at a village compound, when the newspapers allege that two Afghan men were pulled from a tunnel and killed by SAS troops, contrary to the rules of war that prohibit the killing of unarmed prisoners.</p> <p>Roberts-Smith is alleged to have directed a junior soldier, known as Person 4, to execute one of the men, on the orders of Person X, and to have shot the other one himself.</p> <p>One SAS soldier who testified for the newspapers, known as Person 14, said that after the mission was over, he heard Person X say, “I finally blooded the rookie”. </p> <p>Another soldier who testified for the newspapers, known as Person 24, told the court that he saw Roberts-Smith drop the other detainee to the ground and shoot him in the back, in what he interpreted as an “exhibition execution”.</p> <p>The prosecution did not oppose bail and Person X’s matter will return to court on June 21st.</p> <p><em>Image credits: Getty Images</em></p>

Legal

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5 things to know about foundation models and the next generation of AI

<p>If you’ve seen photos of <a href="https://www.nytimes.com/2022/04/06/technology/openai-images-dall-e.html" target="_blank" rel="noopener">a teapot shaped like an avocado</a> or read a well-written article that <a href="https://www.theguardian.com/commentisfree/2020/sep/08/robot-wrote-this-article-gpt-3" target="_blank" rel="noopener">veers off on slightly weird tangents</a>, you may have been exposed to a new trend in artificial intelligence (AI).</p> <p>Machine learning systems called <a href="https://openai.com/dall-e-2/" target="_blank" rel="noopener">DALL-E</a>, <a href="https://openai.com/blog/gpt-3-edit-insert/" target="_blank" rel="noopener">GPT</a> and <a href="https://ai.googleblog.com/2022/04/pathways-language-model-palm-scaling-to.html" target="_blank" rel="noopener">PaLM</a> are making a splash with their incredible ability to generate creative work.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">DALL·E 2 is here! It can generate images from text, like "teddy bears working on new AI research on the moon in the 1980s".</p> <p>It's so fun, and sometimes beautiful.<a href="https://t.co/XZmh6WkMAS">https://t.co/XZmh6WkMAS</a> <a href="https://t.co/3zOu30IqCZ">pic.twitter.com/3zOu30IqCZ</a></p> <p>— Sam Altman (@sama) <a href="https://twitter.com/sama/status/1511715302265942024?ref_src=twsrc%5Etfw">April 6, 2022</a></p></blockquote> <p>These systems are known as “foundation models” and are not all hype and party tricks. So how does this new approach to AI work? And will it be the end of human creativity and the start of a deep-fake nightmare?</p> <p><strong>1. What are foundation models?</strong></p> <p><a href="https://arxiv.org/abs/2108.07258" target="_blank" rel="noopener">Foundation models</a> work by training a single huge system on large amounts of general data, then adapting the system to new problems. Earlier models tended to start from scratch for each new problem.</p> <p>DALL-E 2, for example, was trained to match pictures (such as a photo of a pet cat) with the caption (“Mr. Fuzzyboots the tabby cat is relaxing in the sun”) by scanning hundreds of millions of examples. Once trained, this model knows what cats (and other things) look like in pictures.</p> <p>But the model can also be used for many other interesting AI tasks, such as generating new images from a caption alone (“Show me a koala dunking a basketball”) or editing images based on written instructions (“Make it look like this monkey is paying taxes”).</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">Our newest system DALL·E 2 can create realistic images and art from a description in natural language. See it here: <a href="https://t.co/Kmjko82YO5">https://t.co/Kmjko82YO5</a> <a href="https://t.co/QEh9kWUE8A">pic.twitter.com/QEh9kWUE8A</a></p> <p>— OpenAI (@OpenAI) <a href="https://twitter.com/OpenAI/status/1511707245536428034?ref_src=twsrc%5Etfw">April 6, 2022</a></p></blockquote> <p><strong>2. How do they work?</strong></p> <p>Foundation models run on “<a href="https://theconversation.com/what-is-a-neural-network-a-computer-scientist-explains-151897" target="_blank" rel="noopener">deep neural networks</a>”, which are loosely inspired by how the brain works. These involve sophisticated mathematics and a huge amount of computing power, but they boil down to a very sophisticated type of pattern matching.</p> <p>For example, by looking at millions of example images, a deep neural network can associate the word “cat” with patterns of pixels that often appear in images of cats – like soft, fuzzy, hairy blobs of texture. The more examples the model sees (the more data it is shown), and the bigger the model (the more “layers” or “depth” it has), the more complex these patterns and correlations can be.</p> <p>Foundation models are, in one sense, just an extension of the “deep learning” paradigm that has dominated AI research for the past decade. However, they exhibit un-programmed or “emergent” behaviours that can be both surprising and novel.</p> <p>For example, Google’s PaLM language model seems to be able to produce explanations for complicated metaphors and jokes. This goes beyond simply <a href="https://arxiv.org/abs/2204.02311" target="_blank" rel="noopener">imitating the types of data it was originally trained to process</a>.</p> <figure class="align-center "><img src="https://images.theconversation.com/files/457594/original/file-20220412-10836-vaj8rb.gif?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/457594/original/file-20220412-10836-vaj8rb.gif?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=600&amp;h=333&amp;fit=crop&amp;dpr=1 600w, https://images.theconversation.com/files/457594/original/file-20220412-10836-vaj8rb.gif?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=600&amp;h=333&amp;fit=crop&amp;dpr=2 1200w, https://images.theconversation.com/files/457594/original/file-20220412-10836-vaj8rb.gif?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=600&amp;h=333&amp;fit=crop&amp;dpr=3 1800w, https://images.theconversation.com/files/457594/original/file-20220412-10836-vaj8rb.gif?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;h=418&amp;fit=crop&amp;dpr=1 754w, https://images.theconversation.com/files/457594/original/file-20220412-10836-vaj8rb.gif?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=754&amp;h=418&amp;fit=crop&amp;dpr=2 1508w, https://images.theconversation.com/files/457594/original/file-20220412-10836-vaj8rb.gif?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=754&amp;h=418&amp;fit=crop&amp;dpr=3 2262w" alt="A user interacting with the PaLM language model by typing questions. The AI system responds by typing back answers." /><figcaption><span class="caption">The PaLM language model can answer complicated questions.</span> <span class="attribution"><a class="source" href="https://ai.googleblog.com/2022/04/pathways-language-model-palm-scaling-to.html" target="_blank" rel="noopener">Google AI</a></span></figcaption></figure> <p><strong>3. Access is limited – for now</strong></p> <p>The sheer scale of these AI systems is difficult to think about. PaLM has <em>540 billion</em> parameters, meaning even if everyone on the planet memorised 50 numbers, we still wouldn’t have enough storage to reproduce the model.</p> <p>The models are so enormous that training them requires massive amounts of computational and other resources. One estimate put the cost of training OpenAI’s language model GPT-3 at <a href="https://lambdalabs.com/blog/gpt-3/" target="_blank" rel="noopener">around US$5 million</a>.</p> <p>As a result, only huge tech companies such as OpenAI, Google and Baidu can afford to build foundation models at the moment. These companies limit who can access the systems, which makes economic sense.</p> <p>Usage restrictions may give us some comfort these systems won’t be used for nefarious purposes (such as generating fake news or defamatory content) any time soon. But this also means independent researchers are unable to interrogate these systems and share the results in an open and accountable way. So we don’t yet know the full implications of their use.</p> <p><strong>4. What will these models mean for ‘creative’ industries?</strong></p> <p>More foundation models will be produced in coming years. Smaller models are already being published in <a href="https://openai.com/blog/gpt-2-1-5b-release/" target="_blank" rel="noopener">open-source forms</a>, tech companies are starting to <a href="https://openai.com/blog/openai-api/" target="_blank" rel="noopener">experiment with licensing and commercialising these tools</a> and AI researchers are working hard to make the technology more efficient and accessible.</p> <p>The remarkable creativity shown by models such as PaLM and DALL-E 2 demonstrates that creative professional jobs could be impacted by this technology sooner than initially expected.</p> <p>Traditional wisdom always said robots would displace “blue collar” jobs first. “White collar” work was meant to be relatively safe from automation – especially professional work that required creativity and training.</p> <p>Deep learning AI models already exhibit super-human accuracy in tasks like <a href="https://theconversation.com/ai-could-be-our-radiologists-of-the-future-amid-a-healthcare-staff-crisis-120631" target="_blank" rel="noopener">reviewing x-rays</a> and <a href="https://www.macularsociety.org/about/media/news/breakthrough-artificial-intelligence-ai-helps-detect-dry-amd/" target="_blank" rel="noopener">detecting the eye condition macular degeneration</a>. Foundation models may soon provide cheap, “good enough” creativity in fields such as advertising, copywriting, stock imagery or graphic design.</p> <p>The future of professional and creative work could look a little different than we expected.</p> <p><strong>5. What this means for legal evidence, news and media</strong></p> <p>Foundation models will inevitably <a href="https://www.abc.net.au/news/2021-08-01/historic-decision-allows-ai-to-be-recognised-as-an-inventor/100339264" target="_blank" rel="noopener">affect the law</a> in areas such as intellectual property and evidence, because we won’t be able to assume <a href="https://www.smithsonianmag.com/smart-news/us-copyright-office-rules-ai-art-cant-be-copyrighted-180979808/" target="_blank" rel="noopener">creative content is the result of human activity</a>.</p> <p>We will also have to confront the challenge of disinformation and misinformation generated by these systems. We already face enormous problems with disinformation, as we are seeing in the <a href="https://theconversation.com/fake-viral-footage-is-spreading-alongside-the-real-horror-in-ukraine-here-are-5-ways-to-spot-it-177921" target="_blank" rel="noopener">unfolding Russian invasion of Ukraine</a> and the nascent problem of <a href="https://theconversation.com/3-2-billion-images-and-720-000-hours-of-video-are-shared-online-daily-can-you-sort-real-from-fake-148630" target="_blank" rel="noopener">deep fake</a> images and video, but foundation models are poised to super-charge these challenges.</p> <p><strong>Time to prepare</strong></p> <p>As researchers who <a href="https://www.admscentre.org.au/" target="_blank" rel="noopener">study the the effects of AI on society</a>, we think foundation models will bring about huge transformations. They are tightly controlled (for now), so we probably have a little time to understand their implications before they become a huge issue.</p> <p>The genie isn’t quite out of the bottle yet, but foundation models are a very big bottle – and inside there is a very clever genie.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/181150/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><em><a href="https://theconversation.com/profiles/aaron-j-snoswell-1331146" target="_blank" rel="noopener">Aaron J. Snoswell</a>, Post-doctoral Research Fellow, Computational Law &amp; AI Accountability, <a href="https://theconversation.com/institutions/queensland-university-of-technology-847" target="_blank" rel="noopener">Queensland University of Technology</a> and <a href="https://theconversation.com/profiles/dan-hunter-1336925" target="_blank" rel="noopener">Dan Hunter</a>, Executive Dean of the Faculty of Law, <a href="https://theconversation.com/institutions/queensland-university-of-technology-847" target="_blank" rel="noopener">Queensland University of Technology</a></em></p> <p><em>This article is republished from <a href="https://theconversation.com" target="_blank" rel="noopener">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/robots-are-creating-images-and-telling-jokes-5-things-to-know-about-foundation-models-and-the-next-generation-of-ai-181150" target="_blank" rel="noopener">original article</a>.</em></p> <p><em>Image: OpenAI</em></p>

Technology

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Reader’s Respond: What is something younger generations will never understand?

<p dir="ltr">We asked you to take a trip down memory lane and share something younger generations will never understand and your responses did not disappoint. </p> <p dir="ltr">From black-and-white TVs to getting up to change the channel, having your milk delivered to your front door and even good old-fashioned typewriters, here are just some of the memories you shared.</p> <p dir="ltr"><strong>Dawn Dominick</strong> - The sense of safety that we had growing up.</p> <p dir="ltr"><strong>Jeanne-Marie Thomas</strong> - When you are 81...you live in a world soooo different from the world you grew up in! The list is immense.</p> <p dir="ltr"><strong>Keith Wilson</strong> - Having to stand up to change the channel</p> <p dir="ltr"><strong>Joan Gebetsberger </strong>- Milkman, Bread delivered not sliced, listening to the radio for the serials no TV. Playing in the street, hunting tadpoles enjoying the outdoors</p> <p dir="ltr"><strong>Anne Mckeon</strong> - Being thankful for what we had.</p> <p dir="ltr"><strong>Margaret Inglis</strong> - Typewriters. And carbon paper to place between 2 pieces of paper to make a copy. And put it in an envelope to forward it to someone.</p> <p dir="ltr"><strong>Tolla Edda Anderson</strong> - Not being able to use the phone and computer at the same time.</p> <p dir="ltr"><strong>Maureen Lyons Martinsky</strong> - Dialling a rotary phone.</p> <p dir="ltr"><strong>Geoff Scrimes</strong> - No internet. Maybe black and white TV too. Of course no cell phones!!</p> <p dir="ltr"><strong>Rosy Bloom</strong> - Stockings, suspenders, belts and corsets!</p> <p dir="ltr"><strong>Marguerite Gainsford Stanford</strong> - actual money (cash) instead of paying everything on cards.</p> <p dir="ltr"><strong>Steve Smith</strong> - milk bottles delivered to your front door.</p> <p dir="ltr"><em>Image: Shutterstock</em></p>

Retirement Life